OUR WINDOWS

The window above the altar, dedicated in 1938 is entitled “The Risen Christ,” designed by Heaton Stained Glass Company of New York..  A miniature version of this window (as well as a representation of the altar) is included in the tympanum window in the church’s narthex, or entry hall, just over the main doors.  This smaller version was designed by the Willet Studios of Philadelphia in 1947.

William Willet, an artist and leader in the American Gothic Movement, founded Willet Studios studio in 1898. Working with noted architect Ralph Adams Cram, William created traditional designs that rivaled the works found in the finest European Cathedrals. In 1965, E. Crosby Willet, the grandson of William Willet, became the President of Willet Studios. Under his leadership, Willet windows were created for many of the major churches and cathedrals in the United States including the National Cathedral in Washington, D.C. and Saint Mary's Cathedral in San Francisco.  Twenty-two of the All Souls windows are by the Willet Studios.

The Resurrection Window, above the baptismal font, was designed by Harry Wright Goodhue, only two years before his tragic death at the age of 26 in 1931.  He was considered to be an artistic genius, particularly gifted in the art of stained glass.  In a tribute to Harry, his uncle Bertram Goodhue described him as “one of the foremost designers of stained glass in America, perhaps unrivaled, certainly unsurpassed, in his command of rhythmic line and glowing color.”

Also of particular interest is the St. John the Evangelist window between the sanctuary and the Mary Chapel, designed by L.C. Tiffany Studios  and dedicated in 1921 and the Life of St. Francis series of windows in the Mary Chapel.  These windows show many of the familiar Franciscan stories: the care of animals, conversation with Brother Leo and Sister Clare, Francis receiving the stigmata, preaching to the birds and even taming the wolf at Gubbio.

At least eight different companies and at least as many artists have participated in the crafting of the windows at All Souls.  Because of the dark interior and the abundance of stained glass windows, the church has often been described as the “little jewel box.”